/f/XILE




From the film and live performance  \f\XILE A Body Between Shores
Single-channel film, 36min, 2025

Commissioned by Sirius Arts Centre

Developed through site-based work at Sirius Arts Centre and along the harbour edge at Spike Island, Cork

Featuring: Artem Trofimenko, Awen, Haru, Sophie Hutchinson





\f \— a taut body, a line, a ledge, a ladder. It is both structure and tension, a vessel through which presence moves, tracing a temporal and physical axis.

X — a mark, a crossing, a coordinate, an unknown. It signals fracture. It holds the possibility of rupture, of movement between stasis and collapse, of memory pressed into form.

–ile — a suffix suggesting tendency toward, a movement rather than a state: fragile, flexile, fractile. In \f\XILE, it evokes a body or structure leaning into uncertainty, a line drawn between points. Before tremor. Before release. The ladder, the vaults, the intervals between film and thud: here –ile becomes an inclination, a crossing held in suspense, registering the impermanent echoes of stone and spine.



A line is walked along a railing, suspended between Sirius and Spike, two poles of gravity. Verticality stretches the body taut, a seam stitched across, a pulsating thread of static binding the sites.

This line traces the weight of absence. As Said writes, exile is both wound and vantage, producing double vision: uprooted and seeing from many sides. This tension surfaces through the fragility of expired Soviet film and through the body itself:

the body is a vessel of memory. but also its rupture. a liquid archive spilling forward and back

[Benjamin’s angel of history faces the past, swept by the storm of progress, yet here it bears Khlebnikov’s broken tongue, a bird learning to stammer toward flight.]

[Cixous cast Icarus as in-heritance: attempting to write what it has received, flight etched in flesh, a descent began of his father and vanished at sea. For Marechera, exile unhomes the mind] “If you are a writer, exile is in your head.” 

What could not speak ignites in the body: a flash of memory sears the flesh, memory that resists articulation insists on form.



(c) image by Erin Plaice

The work has been created under the mentorship of Miguel Amado, initially in the context of Sample-Studios’s Studios of Sanctuary scheme, and subsequently with support from SIRIUS.

At Lavit Gallery, \f\XILE unfolds across two vaults, each offering a distinct encounter with  temporal and corporeal presence. In the first, a long-form film commissioned by Sirius Arts Centre, an essay in image and sound tracing the imprint of place. In the second vault, a driftwood ladder is activated by a feedback system, sending tremors through its body that sound the stone chamber. The architecture itself resonates under tension, folding image, sound, and material into a living, responsive environment.